This collection represents a vital link to the early 20th-century European avant-garde, offering works that have remained within the same family for generations.
The auction highlights a transition from traditional Impressionism to the bold experimentation of the early modern era, providing a clear view of the market's current preference for documented provenance and historical relevance.
A focal point of the Goeritz collection is Selbstbildnis vor der Staffelei, sitzend nach rechts (1932) by Max Liebermann.
Representing the post-Impressionist tradition, Gustave Loiseau’s Au village (circa 1920) offers a vibrant study of French rural life.
For those seeking the raw energy of the early 20th century, David Burliuk’s Storm in Spring (circa 1910-1911) is a standout lot.
In the 2026 art market, the "Collection Effect" is a powerful indicator of value. When works like these emerge from a prestigious source like the Goeritz family, they bypass the skepticism often associated with single-lot entries. These pieces are not just paintings; they are part of a curated historical narrative. For the strategic collector, the Liebermann self-portrait or the Burliuk "Storm" offers a secure anchor in a portfolio, combining artistic merit with a transparent and respected history.