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The Architect’s Eye: Modernist Sculpture and the 2026 Market

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As the February 12 auction closes, a specific collection titled "From an Architect’s Vision" is drawing attention for its focus on structural form and material truth.

These three works represent a dialogue between the industrial and the organic, offering a clear signal of the current market appetite for documented twentieth century sculpture.

For collectors in 2026, the value of these assets lies in their architectural presence and the historical weight of their creators.

10-FEB-2026

Arnaldo Pomodoro: Breaking the Sphere

The highlight of the selection is Rotating with holes and channels (1968) by Arnaldo Pomodoro. This bronze work, with a 60 cm diameter, is an artist's proof from an edition of only two.

  • The Concept: Pomodoro is famous for his geometric solids that appear to be eroded or "broken" by internal machinery.
  • The Value: As a work executed during his most influential period, it bridges the gap between pure sculpture and industrial design. With a current estimate of 50,000 to 70,000 EUR, it remains a central asset for any serious modern collection.

Jorge Jimenez Deredia: The Language of Marble

Poème Mythique (1985) by Jorge Jimenez Deredia presents a different approach to form. Carved from grey Carrara marble and set on a black marble base, this work is a reduced version of the monumental sculpture located at Place de l'Amérique Latine in Paris.

  • The Connection: Deredia is known for his exploration of circularity and the origins of life.
  • The Provenance: Acquired directly from the artist, the piece offers the transparency and history that the 2026 market demands. It carries a starting bid of 26,000 EUR against an estimate of up to 50,000 EUR.

Pietro Consagra: The Frontal Philosophy

Pietro Consagra’s Incontro (1957) is a bronze work that challenges the traditional three dimensional nature of sculpture. Consagra advocated for "frontal" art, designed to be viewed from a specific angle to create a direct dialogue with the viewer.

  • The Edition: This work is number 0 from an edition of 3, making it a rare find for those tracking scarcity.
  • The Verification: Accompanied by a certificate of authenticity from the Archivio Pietro Consagra in Milan, it represents a secure entry point into mid century Italian abstraction.

Sculpture as Structural Asset

In the 2026 market, collectors are looking for objects that function as anchors within a space. These sculptures are not merely decorative. They are structural interventions. The preference for bronze and Carrara marble reflects a return to materials with proven longevity. When an architect builds a collection, they choose works that respect the proportions of a room and the history of the medium. These lots are a perfect example of that disciplined approach.

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