The Architect’s Eye: Modernist Sculpture and the 2026 Market

Arnaldo Pomodoro: Breaking the Sphere

The highlight of the selection is Rotating with holes and channels (1968) by Arnaldo Pomodoro. This bronze work, with a 60 cm diameter, is an artist's proof from an edition of only two.

• The Concept: Pomodoro is famous for his geometric solids that appear to be eroded or "broken" by internal machinery.
• The Value: As a work executed during his most influential period, it bridges the gap between pure sculpture and industrial design. With a current estimate of 50,000 to 70,000 EUR, it remains a central asset for any serious modern collection.

Jorge Jimenez Deredia: The Language of Marble

Poème Mythique (1985) by Jorge Jimenez Deredia presents a different approach to form. Carved from grey Carrara marble and set on a black marble base, this work is a reduced version of the monumental sculpture located at Place de l'Amérique Latine in Paris.

• The Connection: Deredia is known for his exploration of circularity and the origins of life.
• The Provenance: Acquired directly from the artist, the piece offers the transparency and history that the 2026 market demands. It carries a starting bid of 26,000 EUR against an estimate of up to 50,000 EUR.

Pietro Consagra: The Frontal Philosophy

Pietro Consagra’s Incontro (1957) is a bronze work that challenges the traditional three dimensional nature of sculpture. Consagra advocated for "frontal" art, designed to be viewed from a specific angle to create a direct dialogue with the viewer.

• The Edition: This work is number 0 from an edition of 3, making it a rare find for those tracking scarcity.
• The Verification: Accompanied by a certificate of authenticity from the Archivio Pietro Consagra in Milan, it represents a secure entry point into mid century Italian abstraction.

Sculpture as Structural Asset

In the 2026 market, collectors are looking for objects that function as anchors within a space. These sculptures are not merely decorative. They are structural interventions. The preference for bronze and Carrara marble reflects a return to materials with proven longevity. When an architect builds a collection, they choose works that respect the proportions of a room and the history of the medium. These lots are a perfect example of that disciplined approach.